Sex, Religion and War: International Artists-in-Residence

| margaret

“The mighty N’Gone Fall, curator for this go-round of Artpace International Artists-in-Residence, is an art critic, consultant, educator and “cultural engineer” based in Dakar, Senegal and Paris, where she graduated from École Spéciale d’Architecture and worked as editorial director of the seminal contemporary African art magazine Revue Noire from 1994 to 2001. In addition to editing the books An Anthology of African Art: The Twentieth Century (2002) and Anthology of African and Indian Ocean Photography: A century of African photographers (1999), Fall co-curated the African Photography Biennale in Bamako, Mali, in 2001, and the 2002 Dakar Biennale in Senegal.

Fall states her worldview in her essay “Providing a Space for Freedom: Woman Artists in Africa”: “Colonialism brought in its wake a host of other isms: primitivism … racism, imperialism, totalitarianism, traumatism. Moving beyond the isms is the challenge that the new generation of female artists is taking up.”

Three artists, albeit one of them male, go a long way in demonstrating the scars of these isms, in an unmissable nexus of nationalist ideology, melancholy and fascination. I visited the three artists in their Artpace workspaces to check out their progress and talk about their concepts.- Sarah Fisch, SA Current
Full article here.

Spring Artpace Resident- Women In War on NPR

| margaret

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Three times a year Artpace invites an artist from Texas, another from the rest of the United States, and another from somewhere in the world to live at Artpace for two months and create.

With the spring residency program nearly through, I caught up with one of their artists, Margaret Meehan, to see what she’s creating. First I asked her what the residency program is like, from an artist’s standpoint. Listen to the story here.

– Jack Morgan TPR.org